Anahita – Detail 05. A section with layered green outlines and dense dark marks, photographed in its display setting. Part of the same original roll, circa 2024. Photograph supplied by the artist.
Anahita – Process and Installation Views, 2026
Description
Supplementary photographic documentation of Anahita – The Femininity of the Universe by Haci Sami Yaman. These four views belong to the documentation of the same monumental original roll, created circa 2024; they do not represent four additional paintings. This companion entry exists because Artsume allows a maximum of five images per entry. The main artwork record contains five further views: https://www.artsume.com/a/haci-sami-yaman/works/anahita-the-femininity-of-the-universe-2024 The photographs show a further surface detail, the work in a gallery setting and the artist handling and unrolling sections. Other artworks visible in the room or beside the roll are contextual background and are not presented as parts of Anahita. Original support: specially prepared, compressed nonwoven material. Techniques described by the artist include acrylic and mixed media, surface preparation, sanding, polishing, drawing, numerical and calligraphic structures, and natural fragrances. Overall original: up to approximately 25 metres long and approximately 75–78 centimetres wide. These are the approximate dimensions of the whole roll, not of each photograph. Yaman identifies this documentation with his presentation at Galerie Kulturhaus Spandau, Berlin, in 2025–2026. His own exhibition wording is Trauma Recorder; public announcements use Trauma ReCoded. The existing CV retains the publicly documented exhibition title. No Kunsthaus Kannen exhibition is linked to this Anahita entry. Photographs supplied by the artist. The portfolio year 2026 refers to this documentation presentation, not to a verified date for each photograph. Original artwork date: circa 2024.
- Anahita
- Documentation
- Installation Views
